|
Year
|
Volume
|
Number
|
Holdings
|
|
|
|
|
2023
|
45
|
3
/4 Selbstoptimierung
|
Yes
|
|
|
|
|
2023
|
45
|
1
/2 Innovative Methods in Multimodal Comics Research
|
Yes
|
|
|
|
|
2022
|
44
|
3
/4 Italian Semiotics II
|
Yes
|
|
|
|
|
2022
|
44
|
1
/2 Italian Semiotics I
|
Yes
|
|
|
|
|
2021
|
43
|
3
/4 Und in alle Ewigkeit … Kommunikation über 10000 Jahre
|
Yes
|
|
|
|
|
2021
|
43
|
1
/2 Mental Spaces
|
Yes
|
|
|
|
|
2020
|
42
|
3
/4 Soziale Medien
|
Yes
|
|
|
|
|
2020
|
42
|
1
/2 Schlagersemiotik. Beiträge der Passauer Mediensemiotik
|
Yes
|
|
|
|
|
2019
|
41
|
|
Yes
|
|
|
|
|
2018
|
40
|
|
Yes
|
|
|
|
|
2017
|
39
|
|
Yes
|
|
|
|
|
2016
|
38
|
|
Yes
|
|
|
|
|
2015
|
37
|
|
Yes
|
|
|
|
|
2014
|
36
|
|
Yes
|
|
|
|
|
2013
|
35
|
|
Yes
|
|
|
|
|
2012
|
34
|
|
Yes
|
|
|
|
|
2011
|
33
|
|
Yes
|
|
|
|
|
2010
|
32
|
|
Yes
|
|
|
|
|
2009
|
31
|
|
Yes
|
|
|
|
|
2008
|
30
|
|
Yes
|
|
|
|
|
2007
|
29
|
4
Zeichen für Kunst: Zur Organisierbarkeit von Kreativität
|
Yes
|
|
|
|
|
2007
|
29
|
2
/3 Zukunftszeichen: Semiotik und Futurologie
|
Yes
|
|
|
|
|
2007
|
29
|
1
Zeitgenössische koreanische Semiotik
|
Yes
|
|
|
|
|
2006
|
28
|
2
/4 Tränen und Weinen in der griechisch-römischen Antike
|
Yes
|
|
|
|
|
2006
|
28
|
1
Zeichen in der Archäologie
|
Yes
|
|
|
|
|
2005
|
27
|
4
Der tote Mensch als Zeichen
|
Yes
|
|
|
|
|
2005
|
27
|
1
-3
|
Yes
|
|
|
|
|
2004
|
26
|
1
-4
|
Yes
|
|
|
|
|
2003
|
25
|
1
-4
|
Yes
|
|
|
|
|
2002
|
24
|
4
|
Yes
|
|
|
|
|
2002
|
24
|
2
/3
|
Yes
|
|
|
|
|
2002
|
24
|
1
|
Yes
|
|
|
|
|
2001
|
23
|
3
/4
|
Yes
|
|
|
|
|
2001
|
23
|
1
-2
|
Yes
|
|
|
|
|
2000
|
22
|
1
-4
|
Yes
|
|
|
|
|
1999
|
21
|
1
-4
|
Yes
|
|
|
|
|
1998
|
20
|
1
-4
|
Yes
|
|
|
|
|
1997
|
19
|
1
-4
|
Yes
|
|
|
|
|
1996
|
18
|
1
-4
|
Yes
|
|
|
|
|
1995
|
17
|
1
-4
|
Yes
|
|
|
|
|
1994
|
16
|
1
-4
|
Yes
|
|
|
|
|
1993
|
15
|
3
/4
|
No
|
|
|
|
|
1993
|
15
|
1
/2
|
Yes
|
|
|
|
