|
Year
|
Volume
|
Number
|
Holdings
|
|
|
|
|
2022
|
34
|
4
Winter
|
No
|
|
|
|
|
2022
|
34
|
3
Fall
|
Yes
|
|
|
|
|
2022
|
34
|
2
Summer
|
Yes
|
|
|
|
|
2022
|
34
|
1
Spring
|
Yes
|
|
|
|
|
2021
|
33
|
4
Winter
|
Yes
|
|
|
|
|
2021
|
33
|
3
Fall
|
Yes
|
|
|
|
|
2021
|
33
|
2
Summer
|
Yes
|
|
|
|
|
2021
|
33
|
1
Spring
|
Yes
|
|
|
|
|
2020
|
32
|
4
Winter
|
Yes
|
|
|
|
|
2020
|
32
|
3
Fall. - South by South/West Asia
|
Yes
|
|
|
|
|
2020
|
32
|
2
Summer
|
Yes
|
|
|
|
|
2020
|
32
|
1
Spring
|
Yes
|
|
|
|
|
2019
|
31
|
4
Winter
|
Yes
|
|
|
|
|
2019
|
31
|
3
Fall
|
Yes
|
|
|
|
|
2019
|
31
|
2
Summer
|
Yes
|
|
|
|
|
2019
|
31
|
1
Spring
|
Yes
|
|
|
|
|
2018
|
30
|
4
Winter
|
Yes
|
|
|
|
|
2018
|
30
|
3
Fall
|
Yes
|
|
|
|
|
2018
|
30
|
2
Summer
|
Yes
|
|
|
|
|
2018
|
30
|
1
Spring. - Toward A Global History of Amateur Film Practices and Institutions
|
Yes
|
|
|
|
|
2017
|
29
|
4
Winter
|
Yes
|
|
|
|
|
2017
|
29
|
3
Fall
|
Yes
|
|
|
|
|
2017
|
29
|
2
Summer
|
Yes
|
|
|
|
|
2017
|
29
|
1
Spring. - Mexican Silent Cinema
|
Yes
|
|
|
|
|
2016
|
28
|
4
Winter
|
Yes
|
|
|
|
|
2016
|
28
|
3
Objects, Exhibition, and the Spectator
|
Yes
|
|
|
|
|
2016
|
28
|
2
Film History and the Individual Film
|
Yes
|
|
|
|
|
2016
|
28
|
1
|
Yes
|
|
|
|
|
2015
|
27
|
4
|
Yes
|
|
|
|
|
2015
|
27
|
3
|
Yes
|
|
|
|
|
2015
|
27
|
2
|
Yes
|
|
|
|
|
2015
|
27
|
1
|
Yes
|
|
|
|
|
2014
|
26
|
4
|
Yes
|
|
|
|
|
2014
|
26
|
3
|
Yes
|
|
|
|
|
2014
|
26
|
2
Early Hollywood and the Archive
|
Yes
|
|
|
|
|
2014
|
26
|
1
|
Yes
|
|
|
|
|
2013
|
25
|
4
Nonthatrical Film
|
Yes
|
|
|
|
|
2013
|
25
|
3
|
Yes
|
|
|
|
|
2013
|
25
|
1
/2 Inquiries, Speculations, Provocations
|
Yes
|
|
|
|
|
2012
|
24
|
4
The First Film Fiction
|
Yes
|
|
|
|
|
2012
|
24
|
3
Behind the Camera
|
Yes
|
|
|
|
|
2012
|
24
|
2
Digital Cinema
|
Yes
|
|
|
|
|
2012
|
24
|
1
Film Histories
|
Yes
|
|
|
|
|
2011
|
23
|
4
Audiences and Ideology
|
Yes
|
|
|
|
|
2011
|
23
|
3
Beyond Vitaohone : The Early Sound Short
|
Yes
|
|
|
|
|
2011
|
23
|
2
Black Representations
|
Yes
|
|
|
|
|
2011
|
23
|
1
Art, Idustry, Technology
|
Yes
|
|
|
|
|
2010
|
22
|
4
|
Yes
|
|
|
|
|
2010
|
22
|
3
|
Yes
|
|
|
|
|
2010
|
22
|
2
|
Yes
|
|
|
|
|
2010
|
22
|
1
|
Yes
|
|
|
|
|
2009
|
21
|
4
|
Yes
|
|
|
|
|
2009
|
21
|
3
|
Yes
|
|
|
|
|
2009
|
21
|
2
|
Yes
|
|
|
|
|
2009
|
21
|
1
|
Yes
|
|
|
|
|
2008
|
20
|
4
|
Yes
|
|
|
|
|
2008
|
20
|
3
|
Yes
|
|
|
|
|
2008
|
20
|
2
|
Yes
|
|
|
|
|
2008
|
20
|
1
|
Yes
|
|
|
|
|
2007
|
19
|
4
|
Yes
|
|
|
|
|
2007
|
19
|
3
|
Yes
|
|
|
|
|
2007
|
19
|
2
|
Yes
|
|
|
|
|
2007
|
19
|
1
|
Yes
|
|
|
|
|
2006
|
18
|
4
|
Yes
|
|
|
|
|
2006
|
18
|
3
|
Yes
|
|
|
|
|
2006
|
18
|
2
|
Yes
|
|
|
|
|
2006
|
18
|
1
|
Yes
|
|
|
|
|
2005
|
17
|
4
|
Yes
|
|
|
|
|
2005
|
17
|
2
/3
|
Yes
|
|
|
|
|
2005
|
17
|
1
|
Yes
|
|
|
|
|
2004
|
16
|
4
|
Yes
|
|
|
|
|
2004
|
16
|
3
|
Yes
|
|
|
|
|
2004
|
16
|
2
|
Yes
|
|
|
|
|
2004
|
16
|
1
|
Yes
|
|
|
|
|
2003
|
15
|
4
|
Yes
|
|
|
|
|
2003
|
15
|
3
|
Yes
|
|
|
|
|
2003
|
15
|
2
|
Yes
|
|
|
|
|
2003
|
15
|
1
|
Yes
|
|
|
|
|
2002
|
14
|
3
/4
|
Yes
|
|
|
|
|
2002
|
14
|
1
-2
|
Yes
|
|
|
|
|
2001
|
13
|
4
|
Yes
|
|
|
|
|
2001
|
13
|
3
|
Yes
|
|
|
|
|
2001
|
13
|
2
|
Yes
|
|
|
|
|
2001
|
13
|
1
|
Yes
|
|
|
|
|
2000
|
12
|
4
|
Yes
|
|
|
|
|
2000
|
12
|
3
|
Yes
|
|
|
|
|
2000
|
12
|
2
|
Yes
|
|
|
|
|
2000
|
12
|
1
|
Yes
|
|
|
|
|
1999
|
11
|
4
|
Yes
|
|
|
|
|
1999
|
11
|
3
|
Yes
|
|
|
|
|
1999
|
11
|
2
|
Yes
|
|
|
|
|
1999
|
11
|
1
|
Yes
|
|
|
|
|
1998
|
10
|
3
-4
|
Yes
|
|
|
|
|
1998
|
10
|
2
|
Yes
|
|
|
|
|
1998
|
10
|
1
|
Yes
|
|
|
|
|
1997
|
9
|
4
|
Yes
|
|
|
|
|
1997
|
9
|
3
|
Yes
|
|
|
|
|
1997
|
9
|
2
|
Yes
|
|
|
|
|
1997
|
9
|
1
|
Yes
|
|
|
|
|
1996
|
8
|
4
|
Yes
|
|
|
|
|
1996
|
8
|
3
|
Yes
|
|
|
|
|
1996
|
8
|
1
-2
|
Yes
|
|
|
|
|
1995
|
7
|
1
-4
|
Yes
|
|
|
|
|
1994
|
6
|
1
-4
|
Yes
|
|
|
|
|
1993
|
5
|
4
|
Yes
|
|
|
|
|
1993
|
5
|
2
-3
|
No
|
Ordinato
|
|
|
|
1993
|
5
|
1
|
Yes
|
|
|
|
|
1987-1990
|
1-4
|
1
-4
|
Yes
|
|
|
|
